INCH’ALLAH DIMANCHE (Yamina Benguigui, 2001)

A domestic melodrama with an interesting historical background,* Inch’Allah Dimanche is the first nondocumentary by Algerian-born Yamina Benguigui. It explores such intriguing issues as cultural dislocation and cultural collision but is too awash in sentimental theatrics to be of serious value. At Toronto, however, they took the whole thing very seriously, according the film their […]