ENTRIES HERE ABOUT FILMS DIRECTED BY WOMEN

Below, in alphabetical order, are the titles of films that have been directed wholly or in part by one or more women and about which I have written somewhere on this blogsite. About some of these films I have written full pieces (“film reviews”), 300-word entries (“formal capsule film comments”) or more conversational jottings (“informal capsule film comments”). There are, in addition, various lists where you will find 300-word entries for some of these films. These are the lists: (A) 100 Greatest Films; (B) 100 Greatest Films from the Soviet Union, Russia, Ukraine and Eastern Europe; (C) 100 Greatest Films from Germany, Scandinavia, Finland and Austria; (D) 100 Greatest English-Language Films; (E) 100 Greatest Films from Africa, Latin America and the Caribbean; and (F) 100 Greatest Asian Films. Because these entries are otherwise not indexed on this blogsite, I have followed each of those entries with the letter that corresponds to the list where you will find it. After the key letter, in some cases you will also see “fp.” This indicates that a full piece (“film review”) of that particular film, as well as the 300-word list entry, exists on this blogsite. Of course, there are many other full pieces on this blogsite about films listed below, but I have added “fp” only when there exists for that film here both a list entry and a full review. There are one or two films written about on this blogsite for which I could not determine the filmmaker’s gender, and these I have omitted from this list.

ADOPTION (Márta Mészáros, 1975)
THE ADVENTURES OF PRINCE ACHMED (Lotte Reiniger, Carl Koch, Walther Ruttmann, Bertold Batosch, 1926)
AFTER THE WEDDING (Susanne Bier, 2006)
AGNES’S BEACHES (Agnès Varda, 2008)
AMERICAN PSYCHO (Mary Harron, 2000)
AN AMERICAN RHAPSODY (Éva Gárdos, 2001)
O AMOR NATURAL (Heddy Honigmann, 1996)
ÁNGEL DE FUEGO (Dana Rotberg, 1992)
THE APPLE (Samira Makhmalbaf, 1997)
THE APPLE GAME (Věra Chytilová, 1977)
ARAYA (Margot Benacerraf, 1959)
ARRANGED (Diane Crespo, Stefan C. Schaefer, 2007)
ASCENT (Larisa Shepitko, 1976) (B)
THE ASTHENIC SYNDROME (Kira Muratova, 1989)
AT FIVE IN THE AFTERNOON (Samira Makhmalbaf, 2003)
AUTUMN MOON (Clara Law, 1992)
AWAY FROM HER (Sarah Polley, 2006)
BALLETS RUSSES (Daniel Geller, Dayna Goldfine, 2005)
BEAU TRAVAIL (Claire Denis, 1999)
THE BIGAMIST (Ida Lupino, 1953)
BITTER SWEAT (Sonia Valentín, 2003)
BLACKBOARDS (Samira Makhmalbaf, 2000) (F)
BLACK KITES (Jo Andres, 1996) (D)
BLAME IT ON FIDEL! (Julie Gavras, 2006)
BLUE BEARD (Catherine Breillat, 2008)
BOAT PEOPLE (Ann Hui, 1982)
BOLS[H]E VITA (Ibolya Fekete, 1995)
LE BONHEUR (Agnès Varda, 1964)
BRAVE NEW LAND (Lúcia Murat, 2000)
BRIEF CROSSING (Catherine Breillat, 2001)
BRIGHT STAR (Jane Campion, 2009)
BROTHERS (Susanne Bier, 2004)
LA BUCHE (Danièle Thompson, 1999)
BUCK (Cindy Meehl, 2011)

BUSINESS AS USUAL (Lezli-An Barrett, 1988)
BUTTERFLY (Yan Yan Mak, 2004)
BYE BYE, RED RIDING HOOD (Márta Mészáros, 1989)
CAPITÃES DE ABRIL (Maria de Medeiros, 2000)
LA CAPTIVE (Chantal Äkerman, 2000)
CARAMEL (Nadine Labaki, 2007)
CARMELITA TROPICANA: YOUR KUNST IS YOUR WAFFEN (Ela Troyano, 1994)
THE CAVE OF THE YELLOW DOG (Byambasuren Davaa, 2005)
CELESTIAL CLOCKWORK (Fina Torres, 1995)
CELIA (Ann Turner, 1988)
CHERRY BLOSSOMS—HANAMI (Doris Dörrie, 2008)
CHILD MURDERS (Ildikó Szabó, 1993)
CHILDREN OF THE CENTURY (Diane Kurys, 1999)
CHOCOLAT (Claire Denis, 1988)
CHRONICLE OF ANNA MAGDALENA BACH (Jean-Marie Straub, Danièle Huillet, 1967) (C)
EL CIELITO (María Victoria Menis, 2004)
CINEVARDAPHOTO (Agnès Varda, 2004)
CIRCUMSTANCE (Maryam Keshavarz, 2011)
CITY OF GOD (Fernando Meirelles, Kátia Lund, 2002) (E); fp
CLASS RELATIONS (Jean-Marie Straub, Danièle Huillet, 1984) (C)
CLEO FROM 5 TO 7 (Agnès Varda, 1961)
COLD SOULS (Sophie Barthes, 2009)
COLETTE (Yannick Bellon, 1951)
COMMENT ÇA VA? (Jean-Luc Godard, Anne-Marie Miéville, 1976)
THE COMPANY OF STRANGERS (Cynthia Scott, 1990)
A COUCH IN NEW YORK (Chantal Äkerman, 1996)
CRAIG’S WIFE (Dorothy Arzner, 1936)                                                                                                     THE CREATURES (Agnès Varda, 1966)
CYCLING THE FRAME and THE INVISIBLE FRAME (Cynthia Beatt, 1988, 2009)
DAISIES (Věra Chytilová, 1966) (B)
DAMNED IF YOU DON’T (Su Friedrich, 1987)
DANZÓN (María Novaro, 1991) (E)
THE DAY HAS GONE (Márta Mészáros, 1968)
DE CIERTA MANERA (Sara Gómez Yera, Julio García Espinosa, Tomás Gutiérrez Alea, 1977) (E)
DANCE, GIRL, DANCE (Dorothy Arzner, 1940)
THE DAY I BECAME A WOMAN (Marzieh Meshkini, 2000)
DELUGE (Salem Mekuria, 1995) (E)
D’EST (Chantal Äkerman, 1993) (A); fp
DIARY FOR MY CHILDREN (Márta Mészáros, 1981; 1984)
DIVAN (Pearl Gluck, 2003)                                                                                                                      DOWN THERE (Chantal Äkerman, 2006)

DUCK (Nicole Bettauer, 2005)
AN EDUCATION (Lone Scherfig, 2009)
THE EIGHTH DAY OF CREATION (Juan José Medina, Rita Basulto, 2000)
EMPORTE-MOI (Léa Pool, 1999)
ENOUGH! (Djamila Sahraoui, 2006)
EUROPA EUROPA (Agnieszka Holland, 1990)
EVEN THE RAIN (Icíar Bollaín, 2010)
EXIST (Esther Bell, 2004)
FAITHLESS (Liv Ullmann, 2000)
THE FALL OF FUJIMORI (Ellen Perry, 2005)
THE FALL OF THE ROMANOV DYNASTY (Esther Shub, 1927) (B)
FAREWELL (Elem Klimov, Larisa Shepitko, 1981)
FAREWELL (Mariya Saakyan, 2004)
FAT GIRL (Catherine Breillat, 2001)
15 PARK AVENUE (Aparna Sen, 2005)
THE FIFTH REACTION (Tahmineh Milani, 2003)
A FILM UNFINISHED (Yael Hersonski, 2010)
FISH TANK (Andrea Arnold, 2009)
THE FOOL (Christine Edzard, 1990)
THE FOOTBALL INCIDENT (Joris Ivens, Marceline Loridan, 1976)
FOREVER (Heddy Honigmann, 2006)
DAS FRÄULEIN (Andrea Staka, 2006)
FRIDAY NIGHT (Claire Denis, 2004)
FROM THE GROUND UP (Su Friedrich, 2007)
FROM THE OTHER SIDE (Chantal Äkerman, 2002) (E); fp
THE FRUIT OF PARADISE (Věra Chytilová, 1969) (B)
GERMANY, PALE MOTHER (Helma Sanders-Brahms, 1979)                                                      GIMME SHELTER (David and Albert Maysles, Charlotte Zwerin, 1970)                                        THE GIRLS (Mai Zetterling, 1968)
LES GLANEURS ET LA GLANEUSE (Agnès Varda, 2000)
GOAL DREAMS (Maya Sanbar, Jeffrey Saunders, 2006)
GOLDEN EIGHTIES (Chantal Äkerman, 1986)
GRBAVICA (Jasmila Žbanić, 2006)                                                                                                             THE GREAT SADNESS OF ZOHARA (Nina Menkes, 1983)                                                       HARVEST TIME (Marina Razbezhkina, 2004) (B); fp
THE HEADLESS WOMAN (Lucrecia Martel, 2008)
HERE AND PERHAPS ELSEWHERE (Lamia Joreige, 2003) (F)
HER NAME IS SABINE (Sandrine Bonnaire, 2007)
HIDE AND SEEK (Su Friedrich, 1996)
HIGH ART (Lisa Cholodenko, 1998)
HIGH SEASON (Clare Peploe, 1987)
HIGH TIDE (Gillian Armstrong, 1987)
THE HITCH-HIKER (Ida Lupino, 1953)
HOLLOW CITY (Maria João Ganga, 2004) (E); fp
HOME (Ursula Meier, 2008)
HONEY AND ASHES (Nadia Farès, 1996)
THE HORSE OF TURIN (Béla Tarr, Ágnes Hranitzky, 2011)
HOTEL MONTEREY (Chantal Äkerman, 1972)
HOUR OF THE STAR (Suzana Amaral, 1985) (E)
THE HOUSE IS BLACK (Forough Farrokhzad, 1962) (F)
HOUSE OF SAND (Andrucha Waddington, 2005)
HOW MUCH FARTHER (Tania Hermida, 2006)
HOW THE ELEPHANT LOST HIS WINGS (Tara Purnima Douglas, 2006)                                      HUIS CLOS (Jacqueline Audry, 1954)
HUMPDAY (Lynn Shelton, 2009)
THE HURT LOCKER (Kathryn Bigelow, 2008)
I DON’T KNOW WHAT YOUR EYES HAVE DONE TO ME (Lorena Muñoz, Sergio Wolf, 2003)
I LOVE BUDAPEST (Ágnes Incze, 2001)
IN A BETTER WORLD (Susanne Bier, 2010)
IN BETWEEN DAYS (So Yong Kim, 2005)                                                                                                    IN DARKNESS (Agnieszka Holland, 2011)

IN THE LAND OF BLOOD AND HONEY (Angelina Jolie, 2011)INCH’ALLAH DIMANCHE (Yamina Benguigui, 2001)                                                                                                                 INFERNO (Henri-Georges Clouzot; Serge Bromberg, Ruxandra Medrea, 1964; 2009)
THE INHERITANCE, OR FUCKOFFGUYSGOODDAY (Věra Chytilová, 1993)
INNOCENCE (Lucile Hadzihalilovic, 2004)
THE INTRUDER (Claire Denis, 2004)
THE IRON LADY (Phyllida Lloyd, 2011)
ITALIAN FOR BEGINNERS (Lone Scherfig, 2000) (C); fp
(JADE) GODDESS OF MERCY (Ann Hui, 2003)
EL JARDÍN DEL EDÉN (María Novaro, 1994) (E)
JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (Chantal Äkerman, 1975)
JELLYFISH (Etgar Keret, Shira Geffen, 2007)
THE JESTER AND THE QUEEN (Věra Chytilová, 1987)
JE, TU, IL, ELLE (Chantal Äkerman, 1976)
JOSÉ RIZAL (Marilou Diaz-Abaya, 1998)
JOURNEY TO THE SUN (Yesim Ustaoglu, 1999) (F); fp
JULIE & JULIA (Nora Ephron, 2009)
JULY RHAPSODY (MAN OF 40; Ann Hui, 2001)
THE JUNIPER TREE (Nietzcha Keene, 1989)
LE JUPON ROUGE (Geneviève Lefebvre, 1987)
KEILLERS PARK (Susanna Edwards, 2006)
KEPT AND DREAMLESS (Martin De Salvo, Vera Fogwill, 2005)
KHADAK (Peter Brosens, Jessica Hope Woodworth, 2006)
KHAK-E SAR BEH MORH (Marva Nabili, 1977) (A)
KRISTIN LAVRANSDATTER (Liv Ullmann, 1995)   
THE LAST REPORT ON ANNA (Márta Mészáros, 2009)
THE LAST STOP (Wanda Jakubowska, 1947)
LETTER FROM AN UNKNOWN WOMAN (Xu Jinglei, 2004)
LIBERTY KID (Ilya Chaiken, 2007)
LIFE AND DEBT (Stephanie Black, 2001) (E)
THE LIGHTHOUSE (Mariya Saakyan, 2006)
LIONS LOVE (Agnès Varda, 1969)
LITTLE DORRIT (Christine Edzard, 1988)
THE LITTLE FUGITIVE (Morris Engel, Ruth Orkin, Ray Ashley, 1953)
LITTLE MISS SUNSHINE (Jonathan Dayton, Valerie Faris, 2006)
LITTLE WOMEN (Gillian Armstrong, 1994)
LOST AND DELIRIOUS (Léa Pool, 2001)
THE LOST HONOR OF KATHARINA BLUM (Margarethe von Trotta, Volker Schlöndorff, 1975) (C)
LOST IN TRANSLATION (Sofia Coppola, 2003)
LOVING COUPLES (Mai Zetterling, 1964)
MADEINUSA (Claudia Llosa, 2006)
MALDEAMORES (Carlos Ruíz Ruíz, Mariem Pérez Riera, 2007)
THE MAN FROM LONDON (Béla Tarr, Ágnes Hranitzky, 2007)
MANUFACTURED LANDSCAPES (Jennifer Baichwal, 2006)
THE MAN WHO CRIED (Sally Potter, 2000)
LA MATERNELLE (Jean Benoît-Lévy, Marie Epstein, 1933)
MEEK’S CUTOFF (Kelly Reichardt, 2011)
MERRILY WE GO TO HELL (Dorothy Arzner, 1932)
ME YOU THEM (Andrucha Waddington, 2000)
THE MILK OF SORROW (Claudia Llosa, 2008)
MOLOM, A LEGEND OF MONGOLIA (Marie-Jaoul de Poncheville, 1995)
MONSOON WEDDING (Mira Nair, 2002)
MONSTER (Patty Jenkins, 2003)
MR. AND MRS. IYER (Aparna Sen, 2002)
MY COUNTRY, MY COUNTRY (Laura Poitras, 2006)
MY DOG TULIP (Paul and Sandra Fierlinger, 2009)
MY NAME WAS SABINA SPIELREIN (Elisabeth Márton, 2002)                                                          MY TEHRAN FOR SALE (Granaz Moussavi, 2009)
 THE NAMESAKE (Mira Nair, 2006)
NEAR DARK (Kathryn Bigelow, 1987)
NENETTE AND BONI (Claire Denis, 1996)
NERAKHOON (Ellen Kuras, Thavisouk Phrasavath, 2008)
THE NEW LAND (Orna Ben-Dor Niv, 1994)
NEWS FROM HOME (Chantal Äkerman, 1977) (D)
NICO ICON (Susanne Ofteringer, 1995)
NIGHT AND DAY (Chantal Äkerman, 1991)
NIGHTSONGS (Marva Nabili, 1983)
NINA’S JOURNEY (Lena Einhorn, 2005) (C); fp
NOBODY’S WIFE (María Luisa Bemberg, 1982)
NORA (Pat Murphy, 2000)
NOWHERE IN AFRICA (Caroline Link, 2001)
NUMERO DEUX/ESSAI TITRES (Jean-Luc Godard, Anne-Marie Miéville, 1975)
OLD BELIEVERS (Jana Sevciková, 2001) (B)
OLD ENOUGH (Marisa Silver, 1984)
OLD JOY (Kelly Reichardt, 2006)
OLIVIER, OLIVIER (Agnieszka Holland, 1992)
ON DANGEROUS GROUND (Nicholas Ray, Ida Lupino, 1950, 1951)
OR (Keren Yedaya, 2004)
OTILIA RAUDA (Dana Rotberg, 2001)
PARIS, JE T’AIME (Gurinder Chadha, Isabel Coixet, Daniela Thomas and a bunch of guys, 2006)
THE PASSION OF MARIA ELENA (Mercedes Moncada Rodríguez, 2003) (E); fp

PEASANT WOMEN OF RYAZAN (Olga Preobrazhenskaya, Ivan Provov, 1927)

A PERFECT DAY (Joana Hadjithomas, Khalil Joreige, 2005)
PERMANENT RECORD (Marisa Silver, 1988)
PERSEPOLIS (Marjane Satrapi, Vincent Paronnaud, 2007)
LA PETITE JERUSALEM (Karin Albou, 2005)
THE PHARMACY (Joris Ivens, Marceline Loridan, 1972-75)
THE PIANO (Jane Campion, 1993)
THE PIANO TUNER (Kira Muratova, 2004)
PIEMULE (Jana Sevciková, 1984; 1992) (B)
PLACE VENDOME (Nicole Garcia, 1998)
LA POINTE COURTE (Agnès Varda, 1953)
THE PREFAB STORY (Věra Chytilová, 1979)
PRIEST (Antonia Bird, 1994)
PRIVATE CONFESSIONS (Liv Ullmann, 1996) (C); fp
THE PRIVATE LIVES OF PIPPA LEE (Rebecca Miller, 2009)
THE PROMISE (Margarethe von Trotta, 1995)
PROOF (Jocelyn Moorhouse, 1991) (D); fp
PROVINCIAL ACTORS (Agnieszka Holland, 1978)
RACHIDA (Yamina Bachir Chouikh, 2002)
THE RAPE OF EUROPA (Richard Berge, Bonni Cohen, Nicole Newnham, 2006)
REAL WOMEN HAVE CURVES (Patricia Cardoso, 2002)
RED ROAD (Andrea Arnold, 2006)
REMEMBRANCE OF THINGS TO COME (Yannick Bellon, Chris Marker, 2001)
LES RENDEZ-VOUS D’ANNA (Chantal Äkerman, 1978)
RESPIRO (Emanuele Crialese, 2002)
RETURN TO ME (Bonnie Hunt, 2000)
THE REVOLUTION WILL NOT BE TELEVISED (Kim Bartley, Donnacha O’Briain, 2003) (E)
ROMAN POLANSKI: WANTED AND DESIRED (Marina Zenovich, 2008)
ROSA LUXEMBURG (Margarethe von Trotta, 1986) (C)
ROSENSTRASSE (Margarethe von Trotta, 2003)
RYNA (Ruxandra Zenide, 2005)
SA’AH (Sarah Del Seronde, 2005)                                                                                                 SALESMAN (David and Albert Maysles, Charlotte Zwerin, 1968)
THE SALTMEN OF TIBET (Ulrike Koch, 1997)
SATIN ROUGE (Raja Amari, 2002)
THE SCARLET FLOWER (Irina Povolotskaya, 1977)
THE SEASON OF MEN (Moufida Tlatli, 2000)
7 SONGS FROM THE TUNDRA (Markku Lehmuskallio, Anastasia Lapsui, 1999)
THE 17TH PARALLEL: THE PEOPLE’S WAR (Joris Ivens, Marceline Loridan, 1968)
SEX IS COMEDY (Catherine Breillat, 2002)
SHARK IN THE HEAD (Mária Procházková, 2004)
SHEER MADNESS (Margarethe von Trotta, 1982) (C); fp
SHEM (Caroline Roboh, 2004)
THE SHOE (Laila Pakalnina, 1998)
SHREK (Andrew Adamson, Vicky Jenson, 2001)
THE SILENCES OF THE PALACE (Moufida Tlatli, 1994) (E)
SILENT WATERS (Subiha Sumar, 2003) (F); fp
SIN DEJAR HUELLA (María Novaro, 2000) (E)
SINK OR SWIM (Su Friedrich, 1990) (D)
SISTERS, OR THE BALANCE OF HAPPINESS (Margarethe von Trotta, 1979)
SITA SINGS THE BLUES (Nina Paley, 2008)
SLUMDOG MILLIONAIRE (Danny Boyle, Loveleen Tandan, 2008)
THE SMILING MADAME BEUDET (Germaine Dulac, 1923)
SOMETHING’S GOTTA GIVE (Nancy Meyers, 2003)
SONG OF THE EXILE (Ann Hui, 1990)
A SOUL HAUNTED BY PAINTING (Huang Shuqin, 1993)
SPIDER LILIES (Zero Chou, 2007)
STOLEN LIFE (Li Shaohong, 2005)
STOP-LOSS (Kimberly Peirce, 2008)
STRANGE CULTURE (Lynn Hershman Leeson, 2007)
STRANGER INSIDE (Cheryl Dunye, 2001)
STRAY DOGS (Marzieh Mishkini, 2004)
SUD (Chantal Äkerman, 1999)
SWEETGRASS (Ilisa Barbash, Lucien Castaing-Taylor, 2009)
SWEETIE (Jane Campion, 1989)
TAINA-KAN, THE BIG STAR (Adriana Figueiredo, 2005)
TAKE OUT (Sean Baker, Shih-Ching Tsou, 2004)
A TALE OF THE WIND (Joris Ivens, Marceline Loridan, 1988)
THE TANGO LESSON (Sally Potter, 1997) (D); fp
THESE HANDS (Flora M’mbugu-Schelling, 1992) (E)
THINGS WE LOST IN THE FIRE (Susanne Bier, 2007)
THE THIRD MIRACLE (Agnieszka Holland, 1999)
35 SHOTS OF RUM (Claire Denis, 2008)
THREE CASES OF MURDER (Wendy Toye, David Eady, George More O’Ferrall, Orson Welles(?), 1954)
TICKET OF NO RETURN (Ulrike Ottinger, 1979)
TIES THAT BIND (Su Friedrich, 1985) (D)
TIME & TIDE (Julie Bayer, Josh Salzman, 2005)
TOMORROW WE MOVE (Chantal Äkerman, 2004)
TOO EARLY, TOO LATE (Jean-Marie Straub, Danièle Huillet, 1981)
TOUTE UNE NUIT (Chantal Äkerman, 1982)
TOWARDS EVENING (Francesca Archibugi, 1991)
TREELESS MOUNTAIN (So Yong Kim, 2008)
TROUBLE EVERY DAY (Claire Denis, 2001)
20 FINGERS (Mania Akbari, 2004)
TWO WOMEN (Tahmineh Milani, 1999)
UKRAINE IN FLAMES (Aleksandr Dovzhenko, Yulia Solntseva, 1943)
UNDER THE SAME MOON (Patricia Riggen, 2007)
UNDER THE SKIN OF THE CITY (Rakhshan Bani-Etemad, 2001) (F); fp
VAGABOND (Agnès Varda, 1985)
VERY ANNIE MARY (Sara Sugarman, 2001)
VISION (Margarethe von Trotta, 2009)
VIVERE (Angelina Maccarone, 2007)
WAITING FOR THE CLOUDS (Yesim Ustaoglu, 2003)
WARRIOR OF LIGHT (Monika Treut, 2001)
WASP (Andrea Arnold, 2003)
THE WATERMELON WOMAN (Cheryl Dunye, 1996)
THE WAY WE ARE (Ann Hui, 2008)
THE WEDDING SONG (Karin Albou, 2008)
WENDY AND LUCY (Kelly Reichardt, 2008)
WHALE RIDER (Niki Caro, 2002)
WHEN NIGHT IS FALLING (Patricia Rozema, 1995)
WHEN THE SEA RISES (Yolande Moreau, Gilles Porte, 2004)
WHITE MATERIAL (Claire Denis, 2009)
WHO’S COUNTING? MARILYN WARING ON SEX, LIES AND GLOBAL ECONOMICS (Terre Nash, 1995)
WILBUR WANTS TO KILL HIMSELF (Lone Scherfig, 2002)
WILL IT SNOW FOR CHRISTMAS? (Sandrine Veysset, 1996)
WINGS (Larisa Shepitko, 1966)
WINGS OF DESIRE (Wim Wenders, Claire Denis, 1987)
WINTER’S BONE (Debra Granik, 2010)
WITHIN THE WHIRLWIND (Marleen Gorris, 2009)
WOMEN’S PRISON (Manijeh Hekmat, 2002)
YES (Sally Potter, 2004)                                                                                                                               ZERO DARK THIRTY (Kathryn Bigelow, 2012)

One thought on “ENTRIES HERE ABOUT FILMS DIRECTED BY WOMEN

  1. Great site, and great lists. For films directed by woman, my favorites are:
    – Wanda (Barbara Loden)
    – The Apple (Samira Makhmalbaf)
    – Stray Dogs (Marziyeh Meshkini)
    – La Captive (Chantal Akerman)
    – Cleo from 5 to 7 (Varda)

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