DOFKA NAI MEUMAN (Apichatpong Weerasethakul, 2000)

This comment originally appeared as an entry in the 100 Greatest Asian Films list. However, today I have dropped it in favor of another film. French poet André Breton founded Surrealism in the mid-1920s, inventing the parlor game cadavres exquis, in which members of a gathered group each contributes the next sequential part of a […]