THE THIRD MIRACLE (Agnieszka Holland, 1999)

Films of faith are problematic things for some of us, but I am as unbiased in this cinematic realm as in any other; Carl Theodor Dreyer’s Ordet (1954) is among my favorite films. Polish-born Agnieszka Holland, a self-described lapsed Roman Catholic, is saddled here with a script (in part by the author) based on a […]