LA CAPTIVE (Chantal Äkerman, 2000)

Is what we see Simon’s dream? Inspired by “The Prisoner,” from Proust’s Remembrance of Things Past, Chantal Äkerman’s La captive opens and closes on the sea. At the outset it is empty; at the end, it takes a life.      Simon is obsessed with Ariane, who has her own room in his grandmother’s flat. She also […]

JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (Chantal Äkerman, 1975)

A sometime (and brilliant) documentarian, Chantal Äkerman remains a documentarian of sorts even in her fictions, seamlessly blending the two modes, for example, in her first masterpiece, Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles. In addition, the particularity of the title yields to a generalization on the modern human condition. Äkerman’s minimalism assists this […]