NOSTALGHIA (Andrei Tarkovsky, 1983)

Self-exiled from the Soviet Union, Andrei Tarkovsky went to Italy. In a highly symbolical, elliptical form, Nostalghia refers to this visit. Consider, for example, the glorious opening: a long-shot, in soft black-and-white, in which female figures, apparently peasants, rendered tiny by distance, their backs facing us, move farther away from the camera at a dreamily […]

CAMMINA, CAMMINA (Ermanno Olmi, 1982)

The following is one of the entries from my 100 Greatest Films from Italy, Greece, Spain and Portugal list, which I invite you to visit on this site if you haven’t already done so. — Dennis Hauntingly beautiful, Ermanno Olmi’s masterpiece is cinema’s greatest foray into biblical territory—and its least dogmatic. A commemorative reenactment by […]

CHILDREN REMEMBER THE HOLOCAUST (Mark Gordon, 1995)

In Children Remember the Holocaust excerpts from actual diaries and letters written by young Holocaust victims, some who perished, some who survived, are read over pertinent black-and-white images culled from film and photographic archives. These match-ups of visuals and voiceover haunt; the technique is fluent, as pans and zooms are delicately applied to stills and, […]