HARRY & SON (Paul Newman, 1984)

On occasion a magnificent actor (Hud, 1963; Cool Hand Luke, 1967; The Color of Money, 1986; Nobody’s Fool, 1994), Paul Newman became a filmmaker mainly to provide his spouse, Joanne Woodward, with roles he deemed worthy of her gifts. I like Woodward in a lot of things, including her Oscar-winning Three Faces of Eve (1957), […]