THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (Andrew Dominik, 2007)

Slow and inexorable, Andrew Dominik’s Assassination of Jesse James follows America’s favorite Western villainous hero to his end, the bullet in the back he receives from the boy who idolizes him, Bob Ford. That fatal shot resolves the ambivalence of either figure: James, a psychotic, for the torment of having an illusion of controlling the […]

THE INSECT WOMAN (Shohei Imamura, 1963)

Shohei Imamura’s stark black-and-white Nippon konchuki (Entomological Chronicles of Japan) begins with a beetle crossing blank terrain; the overhead camera seems to show unimpeded travel: a God’s-eye whitewash of reality. The camera shifts lower so as to be looking up at the beetle, which, upon closer inspection, is struggling horribly up a hill, each step […]