LANCELOT OF THE LAKE (Robert Bresson, 1974)

Robert Bresson’s Arthurian Lancelot du Lac, from Chrétien de Troyes, was meant to follow immediately Diary of a Country Priest (1950); by the time Bresson realized his dream project nearly a quarter-century later, his work had passed from black and white into color—color, here, rich, mysterious, hauntingly beautiful.      Still, this isn’t a period film in […]