NOBODY’S WIFE (María Luisa Bemberg, 1982)

The camera descends from a motorized ceiling fan to a couple in shadows, at aftplay, in bed. Leonor and Fernando have been married for fifteen years. Today, Leonor will learn that Fernando has long been unfaithful to her. She will get out, leaving notes taped about the place to underscore her departure—for instance, by a […]