“An Olympian film, of matchless gravity.” — Jean-Luc Godard, reviewing Alain Resnais’s Le chant du Styrène With witty commentary written by Raymond Queneau, Le chant du Styrène was Alain Resnais’s last documentary before Hiroshima, mon amour (1959) launched his ongoing career in feature films. It was commissioned by a company, Péchiney, intent on singing the […]