HUMAN DESIRE (Fritz Lang, 1954)

Flimsy, unconvincing, at times ludicrous version of Zola’s La bête humaine, updated to the present, divested of naturalism and moved to New Jersey. The script is a load of melodramatic clichés, with heavy-handed references to the Korean War to remind us that its author, Alfred Hayes, helped write Rossellini’s magnificent Paisà (1946) about the Second […]