WILD GRASS (Alain Resnais, 2009)

We glean from Georges Palet’s thoughts, which we hear as voiceover (intermixed with some omniscent voiceover), that he has a problem: he has killed, has been incarcerated for it, and must work steadily at suppressing an urge to kill again. The shot of a multitude of working timepieces at the jeweler’s to which he has […]