FRENZY (Alfred Hitchcock, 1972)

Alfred Hitchcock followed his masterpiece, Psycho (1960), one of the most exactingly brilliant studies of the American social, moral and psychological landscape, with four more or less Europeanized or “international” films; even The Birds (1963), Psycho’s immediate successor, a Californian transplantation of Daphne du Maurier’s story, seems “universal” beyond the studio that released it. Marnie […]