The fourth entry of the Terminator franchise uses rather than abuses the influence of Chris Marker’s great La jetée (1962), which was horribly abused by Terry Gilliam’s crass, empty Twelve Monkeys (1995). Regrettably, Terminator Salvation, which John D. Brancato and Michael Ferris wrote and McG directed, is abusive in other ways. For one, it’s ear-splittingly […]