ODDS AGAINST TOMORROW (Robert Wise, 1959)

Possibly producer-director Robert Wise’s worst film, Odds Against Tomorrow is slack, soft, boring—all that something whose plot revolves around a bank heist, from planning to execution, shouldn’t be. This is a film without a theme, a purpose, a point, although it tries hard, in its last gasp, to whip one up, unconscionably, from what had […]