ISADORA (Karel Reisz, 1968)

Despite the persistent efforts of choreographer Litz Pisk and herself, Vanessa Redgrave never does convince as a dancer, let alone the goddess of modern dance, Isadora Duncan. Otherwise, Redgrave (best actress, Cannes, National Society of Film Critics) is vivid, indeed vibrant, though at times, with Isadora’s free socialist spirit shoehorned into a broad American accent, […]