A TREATISE ON JAPANESE BAWDY SONGS (Nagisa Oshima, 1967)

Songs: their singing both expresses and partially numbs bad feelings. This paradox of humanity correlates to the appearance of Nagisa Oshima’s brilliant, largely improvised Nihon shunka-kô, sometimes translated as Sing a Song of Sex, where color often translates into black and white, in particular, a palette of soft, melancholy grays. Uttered on a college campus […]