MATA HARI (George Fitzmaurice, uncredited, 1931)

From the sculpted, stylized moves of her erotic dance in a Paris nightclub to her departure from prison to face a French firing squad, Greta Garbo, the most beautiful creature ever to grace cinema and its greatest actress, rivets attention, sparks and thrills the senses and, finally, caresses the soul with solemnity and tenderness as […]