Adam (Youssouf Djaoro, so-so, despite acting prizes), the fiftysomething protagonist of Mahamat-Saleh Haroun’s Un homme qui crie, is dignified, composed, quiet; the title refers to his suppressed turbulence, his inner Munch. In N’Djamena, he is the pool attendant at a prestigious hotel; the former champion swimmer is proud he was the first person to have […]