As Peter Lorre, Hungarian-born László Löwenstein was memorable for Hitchcock in England (The Man Who Knew Too Much, 1934; Secret Agent, 1936) and, in Hollywood, for Sternberg (Crime and Punishment, 1935), Huston (The Maltese Falcon, 1941), Capra (Arsenic and Old Lace, 1941; released 1944) and Florey (The Face Behind the Mask, 1941; The Beast with […]