ASHES (Apichatpong Weerasethakul, 2012)

Advertising their 35mm camera, the LomoKino website invites potential customers to “go back to the early days of motion picture” while awakening their own “analogue cinematic fantasies”—as Thailand’s reigning auteur, Apichatpong Weerasethakul, has done (except for a digital finale) with his exquisite, haunting “Ashes.” This short work—since its premiere at Cannes last Friday it has […]