LA PRISONNIERE (Henri-Georges Clouzot, 1968)

“Perversion exists; and, to describe it in its most crushing and tragic form, I had to go as far as possible without being afraid of traumatizing the audience.” — Henri-Georges Clouzot Dazzling and overwhelming, somehow both sumptuous and austere, Henri-Georges Clouzot’s last film is among his most intriguing work. La prisonnière—variously called in English The […]