Shot in eight days on a threadbare budget, in the same video-to-film process, “electronovision,” that had been used for Richard Burton’s dress-rehearsal Hamlet (Bill Colleran, John Gielgud, 1964), Alex Segal’s Harlow, from a script by Karl Tunberg (William Wyler’s Ben-Hur, 1959, don’t-you-know), succeeded in beating to exhibition by one month Joseph E. Levine’s much more […]