THE MAN WHO LIES (Alain Robbe-Grillet, 1968)

Writer-director Alain Robbe-Grillet’s L’homme qui ment—essential viewing, this—begins in a wooded expanse as a youngish man, nicely dressed, pursued by armed soldiers, ducks behind trees to avoid their bullets and, despite the cascades of bullets aimed at him, escapes uninjured: a fantastical (and visually gorgeous) opening that visually translates this man’s propensity for telling whoppers. […]