THE HORSE OF TURIN (Béla Tarr, Ágnes Hranitzky, 2011)

“Look, imagine this horse, if it was your whole life, your whole livelihood, and if your horse doesn’t work anymore, you die with the horse, because your life is gone and everything is over. These words: allegories, metaphors—it’s none of that. It’s just a simple horse.” — Béla Tarr When dance critic and cinéaste Mindy […]

TUESDAY, AFTER CHRISTMAS (Radu Muntean, 2010)

In the finest scene in Romanian filmmaker Radu Muntean’s depressing, cliché-ridden adultery drama, Marți, după Crăciun, a middle-aged couple come apart, perhaps irrevocably. Having decided to choose mistress over wife, Paul tells Adriana, “I’ve met someone, and we’re in love.” His casual manner salts Adriana’s wound at the point of its infliction. At their kitchen […]

IF I WERE THE WHITE MOOR (Ion Popescu-Gopo, 1965)

Ion Popescu-Gopo, Romania’s premier maker of animated films, tried his hand at a live-action feature, and it proved to be a winning hand. De-aş fi Harap Alb is loosely based on a Romanian folk legend—the film’s postmodernism underscores the “loosely”—that achieved a classic retelling by nineteenth-century Moldavian-born author Ion Creangă. The story’s title, “Harap Alb,” […]

POLICE, ADJECTIVE (Corneliu Porumboiu, 2009)

By the same Romanian writer-director who made 12:08 East of Bucharest (2006), Politist, adjectiv is a police procedural that develops into something considerably more. Indeed, the film proceeds from the start along simultaneous lines, one that’s external, how a young undercover cop goes about his business trailing a kid who is a suspected pot dealer, […]

CORRIDOR #8 (Boris Despodov, 2008)

Beautifully photographed by Georgi Bogdanov and Boris Missirkov, the glowing, richly humane Corridor #8, from Bulgaria, won the prize of the ecumenical jury at Berlin and the best documentary prize at Sarajevo. In his mid-thirties, former painter Boris Despodov wrote, directed and, along with Gergana Zlatanova, edited this gently humored, deeply moving film that traverses […]