Marathi filmmaker Nishikant Kamat has made his first Hindi/Bollywood film, but with unusual dignity and restraint—there are no dances—and on a sobering subject: in Mumbai, the coordinated seven July 11, 2006, railway bombings and their aftermath. Working from a commendable script by Yogesh Vinayak Joshi and Upendra Sidhaye, Kamat aims to show, he has said, […]